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"Märchen im Grandhotel" von Paul Abraham im Mainfrankentheater Würzburg - inszeniert von Tristan Braun
"Mitreissend:... mit welcher Inbrunst sich Vero Miller als überkandidelte Königin ins spe und Julian Habermann als ungeschickter, verliebter Kellner in ihr hoffnungsloses Techtelmechtel stürzen. Da wird keine Peinlichkeit ausgelassen, kein Bettvorleger geschont und keine Schmonzette nicht schmachtend geschmettert - es ist zum Hinlegen daneben, aber deshalb umso schöner."
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Opera by Alban Berg:
Musical Direction: Enrico Calesso
Direction: Sigrid Herzog
Stage Design: Harald Thor
Costume Design: Tanja Hofmann
Cast:
Andres - Julian Habermann
PERFORMERS:
Elisabeth Breuer, Soprano 1
Natasha Schnur, Soprano 2
Ulrike Malotta, Alto
Julian Habermann, Tenor
Johannes Kammler, Bass
Gaechinger Cantorey
Hans-Christoph Rademann, Conductor
Program:
Jean-Féry Rebel - Les Éléments
Carl Philipp Emanuel Bach - Klopstock's Morning Song on the Feast of Creation Wq 239
Georg Philipp Telemann - Die Tageszeiten TVWV 20:39
Introduction: 6:20 PM
Short Description:
A return to nature – Three innovative composers, three visions of the creation of the world, three brilliant late works make up this program. The relationship between humanity and nature, as well as the concept of a divine creative force, was a recurring theme in 18th-century literature. Music, too, engaged with this idea. Joseph Haydn's oratorio The Creation is probably the most well-known example, but before him, other composers also expressed the sensual and spiritual dimensions of nature in their unique musical languages. One such composer was Jean-Féry Rebel, a student of Lully and court musician to the French king. His symphony Les Éléments (1738) is a ballet suite suffused with tone painting. C.P.E. Bach's Klopstock's Morning Song (1783) is marked by the style of "Empfindsamkeit" and was considered one of the masterpieces of German music for two decades. Finally, Telemann takes us from morning to night in his vividly and atmospherically set cantata cycle Die Tageszeiten.
PERFORMERS:
Elisabeth Breuer, Soprano 1
Natasha Schnur, Soprano 2
Ulrike Malotta, Alto
Julian Habermann, Tenor
Johannes Kammler, Bass
Gaechinger Cantorey
Hans-Christoph Rademann, Conductor
Program:
Jean-Féry Rebel - Les Éléments
Carl Philipp Emanuel Bach - Klopstock's Morning Song on the Feast of Creation Wq 239
Georg Philipp Telemann - Die Tageszeiten TVWV 20:39
Introduction: 6:20 PM
Short Description:
A return to nature – Three innovative composers, three visions of the creation of the world, three brilliant late works make up this program. The relationship between humanity and nature, as well as the concept of a divine creative force, was a recurring theme in 18th-century literature. Music, too, engaged with this idea. Joseph Haydn's oratorio The Creation is probably the most well-known example, but before him, other composers also expressed the sensual and spiritual dimensions of nature in their unique musical languages. One such composer was Jean-Féry Rebel, a student of Lully and court musician to the French king. His symphony Les Éléments (1738) is a ballet suite suffused with tone painting. C.P.E. Bach's Klopstock's Morning Song (1783) is marked by the style of "Empfindsamkeit" and was considered one of the masterpieces of German music for two decades. Finally, Telemann takes us from morning to night in his vividly and atmospherically set cantata cycle Die Tageszeiten.
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Julian Habermann wurde 1993 in Freising geboren und war Mitglied der Regensburger Domspatzen. Er studierte an der Hochschule für Musik Würzburg bei Christian Elsner und an der Musikhochschule Frankfurt bei Hedwig Fassbender und Thilo Dahlmann. Seit 2021 arbeitet der Künstler mit Lioba Braun.
Mit Beginn der Spielzeit 2024/25 wird Julian Habermann mit einem Teilspielzeitvertrag an das Mainfranken Theater Würzburg gehen. Er wird dort die Partie des Albert in Paul Abrahams MÄRCHEN IM GRAND HOTEL sowie die Partie des Andres in Alban Bergs WOZZECK übernehmen.
Bereits 2012 war er Preisträger im Juniorwettbewerb des Bundeswettbewerbs Gesang. 2017 stand er als jüngster Teilnehmer im Finale des internationalen Liedwettbewerbs „Das Lied“. Beim Bundeswettbewerb Gesang Berlin 2018 wurde ihm der Preis der Stiftung Rosenbaum verliehen. Zudem war er Stipendiat der Lied-
Akademie des Internationalen Musikfestivals Heidelberger Frühling. Der Künstler war mehrfach Teilnehmer der »Liederwerkstatt« beim »Kissinger Sommer« mit den Pianisten Axel Bauni, Jan Philip Schulze und Steffen Schleiermacher und wurde 2019 mit dem Luitpoldpreis des internationalen Musikfestivals ausgezeichnet.
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Julian Habermann was born in Freising in 1993 and was a member of the Regensburger Domspatzen. He studied at the Hochschule für Musik Würzburg with Christian Elsner and at the Musikhochschule Frankfurt with Hedwig Fassbender and Thilo Dahlmann. The artist has been working with Lioba Braun since 2021.
Starting the 2024/25 season, Julian Habermann will join the Mainfranken Theatre Würzburg on a part-time contract. There, he will take over the role of Albert in Paul Abraham's MÄRCHEN IM GRAND HOTEL and the role of Andres in Alban Berg's WOZZECK.
In 2012, he was a prize-winner in the Junior Competition of the Bundeswettbewerb Gesang. In 2017, he was the youngest participant in the final of the international song competition "Das Lied". At the Bundeswettbewerb Gesang 2018, he was awarded the prize of the Rosenbaum Foundation. He was awarded with a scholarship of the Academy of the Heidelberger Frühling and for several years he had been a participant of the Liederwerkstatt Kissinger Sommer with Axel Bauni, Jan Philip Schulze and Steffen Schleiermacher. In Kissingen he has been awarded with the Luitpold-prize (2019)
About
Discography
Vision Bach Vol.6 (Magnificat BWV 243.1)
In 2023, commemorating 300 years since Johann Sebastian Bach's arrival in Leipzig, the International Bach Academy Stuttgart embarked on an ambitious project to perform and record all of Bach's cantatas he composed in his first year there. This monumental task resulted in 23 concerts, meticulously captured and set to be released in a CD series by Hänssler Classic, guided by the latest insights in Bach research. Under Hans-Christoph Rademann's direction, the Gaechinger Cantorey's expert ensemble brought Bach's vision to life, blending historical authenticity with modern excellence. This series not only celebrates Bach's enduring legacy but also offers listeners a comprehensive journey through his early Leipzig cantatas, promising an immersive auditory experience of baroque mastery.
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Vision Bach Vol.5
In 2023, commemorating 300 years since Johann Sebastian Bach's arrival in Leipzig, the International Bach Academy Stuttgart embarked on an ambitious project to perform and record all of Bach's cantatas he composed in his first year there. This monumental task resulted in 23 concerts, meticulously captured and set to be released in a CD series by Hänssler Classic, guided by the latest insights in Bach research. Under Hans-Christoph Rademann's direction, the Gaechinger Cantorey's expert ensemble brought Bach's vision to life, blending historical authenticity with modern excellence. This series not only celebrates Bach's enduring legacy but also offers listeners a comprehensive journey through his early Leipzig cantatas, promising an immersive auditory experience of baroque mastery.
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