Protestant Service with Children's Church

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J. S. Bach: "Wer mich liebet, der wird mein Wort halten" BWV 74

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Catherina Witting - Soprano

Ida Aldrian - Alto

Julian Habermann - Tenor

Dávid Csizmár - Bass

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St. Michaelis Choir

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St. Michaelis Orchestra

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Jörg Endebrock - Conductor and Organist

• Dvorak - Mass in D major
• Biblical Songs (Arrangement for Chor and Orchestra by Jarmil Burghauser)
• Purcell - Te Deum and Jubilate in D major

Bernhard Zosel - Conductor

Mendelssohn: "Elijah"

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Vocal Soloists

Choir and Orchestra of the University of Music and Performing Arts Frankfurt

Conducted by Florian Lohmann

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Kloster Eberbach, Basilica, Eltville am Rhein

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Protestant Service with Children's Church

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J. S. Bach: Magnificat BWV 243

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Catherina Witting - Soprano

Joël Vuik - Alto

Julian Habermann - Tenor

Andreas Pruys - Bass

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St. Michaelis Choir

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St. Michaelis Orchestra

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Jörg Endebrock - Conductor and Organist

MONTEVERDI'S "ORFEO" IS REGARDED AS THE BIRTH OF OPERA AND TELLS OF THE POWER OF MUSIC.

MICHAEL HELL BRINGS THE MASTERPIECE BACK TO LIFE,

NATALIA MORO WRAPS IT IN IMAGES OF SAND.

SAND IN THE LAND OF SHADOWS

In 1607, Monteverdi placed the lamentations of Orpheus in the mouth of a divinely singing tenor in Mantua, and his orchestra wielded the full power of tones to conquer death. In Styriarte's "Orfeo," sand symbolizes the realm of shadows, where colors cease to exist. Through moving images, the sand artist Natalia Moro captures the myth on canvas. Enchantingly beautiful baroque voices sing the arias and choruses of Monteverdi's masterpiece. Michael Hell guides his colorful ĀRT HOUSE orchestra as conductor and harpsichordist.

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MONTEVERDI'S "ORFEO" IS REGARDED AS THE BIRTH OF OPERA AND TELLS OF THE POWER OF MUSIC.

MICHAEL HELL BRINGS THE MASTERPIECE BACK TO LIFE,

NATALIA MORO WRAPS IT IN IMAGES OF SAND.

SAND IN THE LAND OF SHADOWS

In 1607, Monteverdi placed the lamentations of Orpheus in the mouth of a divinely singing tenor in Mantua, and his orchestra wielded the full power of tones to conquer death. In Styriarte's "Orfeo," sand symbolizes the realm of shadows, where colors cease to exist. Through moving images, the sand artist Natalia Moro captures the myth on canvas. Enchantingly beautiful baroque voices sing the arias and choruses of Monteverdi's masterpiece. Michael Hell guides his colorful ĀRT HOUSE orchestra as conductor and harpsichordist.

• Henry Purcell: Two Fantasias for Strings
• Benjamin Britten: Hymn to St. Cecilia op. 27
• Franz Liszt: Orpheus (Symphonic Poem No. 4, 1854, Organ Version)
• Georg Friedrich Händel: Solomon (Act III)

Lucia Boisserée – Queen of Sheba (Soprano)

Julian Habermann – Zadok, the Priest (Tenor)

Markus Simon – Solomon (Baritone)

Vocal Ensemble St. Lorenz

ensemble KONTRASTE

Matthias Ank – Conductor and Organ

"The Creation" by Joseph Haydn

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Samantha Gaul, Soprano

Julian Habermann, Tenor

Johannes Schendel, Bass

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Hessian State Youth Choir

Hessian State Youth Symphony Orchestra

Conducted by Axel Pfeiffer

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"The Creation" by Joseph Haydn

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Samantha Gaul, Soprano

Julian Habermann, Tenor

Johannes Schendel, Bass

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Hessian State Youth Choir

Hessian State Youth Symphony Orchestra

Conducted by Axel Pfeiffer

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Opening Concert Musikfest Erzgebirge

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Wrocław Baroque Orchestra / Soloists Ensemble / Dresden Chamber Choir / Hans-Christoph Rademann