„Das verwunschene Glück“ (with music from the opera “Gl’incatesimi disciolti” by A. Draghi 1640 and additional musical pieces curated by Thomas Höft and Michael Hell)

Concert Performance accompanied by dancers.

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Musical Direction: Michael Hell

Dramaturgy: Thomas Höft

Choreography: Mareike Franz

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Cast:

Sophia Daneman & Johanna Rosa Falkinger, Sopran

Anna Manske, Mezzosopran

Julian Habermann & Markus Schäfer, Tenor

Dietrich Henschel, Bariton

„Das verwunschene Glück“ (with music from the opera “Gl’incatesimi disciolti” by A. Draghi 1640 and additional musical pieces curated by Thomas Höft and Michael Hell)

Concert Performance accompanied by dancers.

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Musical Direction: Michael Hell

Dramaturgy: Thomas Höft

Choreography: Mareike Franz

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Cast:

Sophia Daneman & Johanna Rosa Falkinger, Sopran

Anna Manske, Mezzosopran

Julian Habermann & Markus Schäfer, Tenor

Dietrich Henschel, Bariton

„Das verwunschene Glück“ (with music from the opera “Gl’incatesimi disciolti” by A. Draghi 1640 and additional musical pieces curated by Thomas Höft and Michael Hell)

Concert Performance accompanied by dancers.

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Musical Direction: Michael Hell

Dramaturgy: Thomas Höft

Choreography: Mareike Franz

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Cast:

Sophia Daneman & Johanna Rosa Falkinger, Sopran

Anna Manske, Mezzosopran

Julian Habermann & Markus Schäfer, Tenor

Dietrich Henschel, Bariton

„Das verwunschene Glück“ (with music from the opera “Gl’incatesimi disciolti” by A. Draghi 1640 and additional musical pieces curated by Thomas Höft and Michael Hell)

Concert Performance accompanied by dancers.

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Musical Direction: Michael Hell

Dramaturgy: Thomas Höft

Choreography: Mareike Franz

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Cast:

Sophia Daneman & Johanna Rosa Falkinger, Sopran

Anna Manske, Mezzosopran

Julian Habermann & Markus Schäfer, Tenor

Dietrich Henschel, Bariton

In order to anchor the topic of diversity more clearly in the classical music scene, Thomas Höft has overwritten the well-known "St. John Passion" by Johann Sebastian Bach with a completely new libretto, which instead of the story of Jesus' suffering places the story of the suffering of discriminated and murdered lesbian, gay, and trans people at the centre of the reflection.

It is not about external provocation, but about the serious question of our behaviour towards the suffering of people who were/are persecuted because of their sexuality.

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Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

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Kofinanziert durch das EU-Programm „Creative Europe (2021-2027)“ sowie durch das Bundesministerium für Kunst, Kultur, öffentlichen Dienst und Sport.

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CAST

Ārt House 17

Susanne Elmark, Sopran
Yosemeh Adjei, Countertenor
Julian Habermann, Tenor
Markus Schäfer, Tenor (Narrator)
Dietrich Henschel, Bariton

Thomas Höft, Libretto
Michael Hell, Musical Director

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Der Projektkünstler Stefan Weiller präsentiert die »Letzten Lieder« in einer Neubearbeitung im Deutschen Schauspielhaus Hamburg. Für dieses dokumentarische Musik-Theater-Projekt führte der Autor in Hospizen Gespräche mit schwerstkranken und sterbenden Menschen über Musik, die ihnen in ihrem Leben etwas bedeutet hat – und noch immer wichtig ist. Die unterschiedlichsten Eindrücke bringt Stefan Weiller in intensive Geschichten, Szenen und Einsichten im Spiegel des zu Ende gehenden Lebens. Liebe und Lebenslust, Abschied, Tod und Trauer werden sinnlich verwoben. Offen, berührend, manchmal umwerfend komisch und immer wahrhaftig. Die live präsentierten Lieder werden durch Text, Musik und Video zum Gesamtwerk. Von Schlager über Pop bis Klassik.

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3 Stunden

inkl. einer Pause

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DIE JAHRESZEITEN (Hob. XXI:3)
Joseph Haydn (1732-1809)
Weltliches Oratorium nach einem Libretto von Gottfried van Swieten

Philharmonischer Chor Friedrichshafen
Männerchor Bad Saulgau Einstudierung Volker Bals
Bodensee Philharmonie
Musikalische Leitung: MD Joachim Trost

Graf-Zeppein-Haus Friedrichshafen

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Hanna Herfurtner, SOPRAN

Julian Habermann, TENOR

Rafael Fingerlos, Bariton

Joachim Trost, DIRIGENT

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Johann Sebastian Bach: Johannes Passion BWV 245
Akademie für Alte Musik Berlin (Akamus)
RIAS Chamber Choir Berlin
Conductor: Justin Doyle
Tenor (Evangelist): Benedikt Kristjánsson
Bass (Jesus words): Martin Häßler
Soprano: Katharina Konradi
Alto: Sarah Romberger
Tenor: Julian Habermann
Bass: Marcus Farnsworth

Christian Tetzlaff, Violin
Hanna Zumsande, Soprano
Ida Aldrian, Alto
Julian Habermann, Tenor

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St. Michaelis Choir
St. Michaelis Orchestra (members of the Philharmonic State Orchestra, NDR Elbphilharmonie Orchestra, among others)
Jörg Endebrock, Conductor

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This year, the St. Michaelis Choir dedicates itself on Good Friday to a wonderful rarity in the Easter repertoire: Bach's Markus-Passion, which was first performed in 1731 in the Thomaskirche in Leipzig. Tragically, the original scores were lost. However, thanks to the preserved libretto and the knowledge of individual chorales and passages, which Bach had incorporated from other works and set with the Passion text, musicologists have succeeded in resurrecting the lost masterpiece with its enchanting chorales.

The preface to the edition states: "With the use of viols and lutes and a penetrating sense of chamber music, Bach's Markus-Passion represents the most exquisite and delicate Passion possible."

Additionally, Frank Martin's Polyptyque describes stations from the Passion of Jesus, which Jörg Endebrock weaves into a collage between the fragments of Bach's Markus-Passion.

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